Tuesday, July 12, 2016
I Regret This Day
Wednesday, April 15, 2015
I Saw Her
Last night, I made a stop on the way home. All I wanted was a sandwich or something, something to eat after work. I stopped by the local grocery store to pick something up before hopefully heading home, reading a bit, and then going to bed.
I didn't mean to see what I saw. I didn't want to see what I saw. But I saw it, while I was standing in line at the store.
A mother and her daughter. The kid was maybe nine years old, and acting up. The mother had been in the service line for a while, clearly impatient, frustrated. The kid was impatient, too, and was acting up. Running in the store, making noise.
I admit I felt a moment of irritation. You get irritated, when someone else's children act up. It's almost an instinct. My baby, nine months old right now, is pretty good actually....He generally just wants to smile and observe people. I was hoping that he never became like this girl, loud and rude.
And then I saw her. The mother. Grabbed her child violently by the neck, and yanked her close. "GET OVER HERE!" she shouted, trying to get her child under control.
And I realized why the child acts like that. I felt bad for the child, and bad for judging her so harshly. My boy won't grow up like that, because he won't be abused.
"COME HERE!" the mother shouted, shaking her daughter by the neck. The child was terrified, crying, and I wanted to say something to the mother. I was about to walk over and say something, but I was across the room, and before I could get close enough, the mother hustled the little girl out the door, squeezing her neck the whole time. The girl was crying, afraid, and I wished I'd had the moment to speak to the mother.
Because I'd have told her. I'd have told her that there are better ways to deal with a child than the Vulcan Deathgrip. (Yes, I'm aware that there's really no such thing as the Vulcan Deathgrip, even on Star Trek. It's still a bad parenting technique.) I'd have told her that a child learns to act the way their parent acts, and a violent, hurtful mother will raise a violent, hurtful child.
I wanted to say all that. But there just wasn't time.
I saw her squeeze and push her child out of the store, angrily, without thinking of how afraid and hurt the child was.
I saw her in my mind, the rest of the night, as I rode home. I saw her as I ate my dinner. I saw her as I carried my little baby to bed.
And then I saw nothing but my little son as I gave him an extra hug and kiss that night, laid him down in his crib, and let him go to sleep. Because I want my son to grow up happy and secure, not hurting and afraid.
Friday, August 24, 2012
I Want My Batman Back
I've always been a big comic-book fan. Ever since I was a kid, I enjoyed the adventures of Superman, Batman, the Flash, and Green Lantern. I've been more into DC than Marvel---Nothing against Marvel; I just always got more into the DC characters. Having said that, I am forced to admit that Marvel makes better movies. They stick closer to the character, and stay much more accurate to the story than DC ever does. This is largely because of Stan Lee, who cares enough about his characters to review the scripts, and even appear in each movie, Hitchcock-style.
When a DC movie is made, however, the directors show no ability to stay close to the actual story. And Batman is the worst offender; not once have they made a Batman movie that truly portrayed Batman without screwing up the story. I'm not talking about tiny details; I'll be the last one to sit in a theater and scream,"Hey, that stapler belongs on the other side of Detective Montoya's desk!" But I don't think it's too much to ask that Robin the Boy Wonder be portrayed as, you know, a boy? Rather than a retired police officer.
The Christopher Nolan movies are fine movies, taken on their own. But the problem is that they really can't---Or shouldn't---Be taken on their own; they're part of a legacy that has existed since the 1930s. When you're telling a Batman story, you're contributing to the legacy, and I feel you should respect that legacy, instead of trashing it to put your own spin on it. Christopher Nolan hasn't made Batman movies so much as he's made Bat-flavored mash-ups.
I once had a friend (A female---This is important) say to me that you can't view them that way; you have to take them on their own, without comparing each movie to the whole legacy. To that female friend, I have to ask....How did you like the "Dirty Dancing" remake? Was it good, on its own? Or did you sit there shrieking,"That's not Patrick Swayze!"
Aaaand so much for taking a movie by itself.
Regarding the Robin problem, I've been told that Christian Bale has refused to appear in a movie that features Robin, because he hates the character. To which I say....So what? He's an actor. He'll read the lines, or we'll give the paycheck to someone who will. If he doesn't like Robin, then find someone else to play the part----And don't tell me nobody else could play Batman. Michael Keaton played Batman. Once they shoveled Mr. Mom into that costume, they pretty much established that Batman is played entirely by the costume. It could be John Cleese in there, it wouldn't matter. So I'd suggest telling Christian Bale to shut up and read the lines already.
And as for the lines....Make them shorter. Please. I've noticed that in all three movies, the heroes have lines that leave me thinking,"Yeah, great, Batman, but like fifteen people just died while you were finishing that sentence." They give huge flowery speeches at the worst possible moment. At the end of the second movie, when asked by his son why Batman is running, instead of saying something comprehensible to a child, Commissioner Gordon explains,"Because we have to chase him. He's the hero Gotham needs, but not the one it deserves. He's a noble hero, a dark knight...." Jesus, Jim, the kid is seven! No wonder your wife took him when she left.
Batman outdoes himself this way in the final movie. About to fly a nuclear bomb away from the city, and save everyone, he is held up by Gordon, who is apparently the only person in Gotham who hasn't yet figured out Batman's secret identity. When Gordon asks who Batman is, instead of saying the sensible thing ("Bruce Wayne! Bye!") he goes into a long speech: "Anyone can be a hero....Even for something as simple as putting a jacket around a little boy's shoulders to show him that the world didn't end...."
All of which is very dramatic and all. But it leaves the audience pointing at their watches and shouting,"Hello! Nuclear bomb! Two minutes! Bruce!"
(At least Adam West wasn't giving a huge speech, that day he just couldn't get rid of a bomb.)
Bruce Wayne is inadvertently shown as the biggest threat to Gotham. In the majority of Nolan's movies, the bad guys are attacking Gotham City with weapons stolen from Wayne Enterprises. In the final one, Bane takes over the city using Batman's own stuff. It's enough to make you wish a millionaire orphan had gone into toothbrush manufacture or something.
I want Batman back. The real Batman, the one who was good for Gotham and didn't take forever to finish a sentence. The Batman who cared about his kid sidekick. The one who kept track of his stuff.
But I did get to see Anne Hathaway in a skintight Catwoman outfit, so there was a redeeming feature there.
Tuesday, July 24, 2012
Who Destroyed Superman? I Blame Richard Pryor.
I saw the movie Superman Returns once, and it was one time too many. Though I'm usually really into DC superhero movies, I hated this one. For those of you who haven't seen it, Superman returns to Earth after a five-year absence to find out that Lois Lane has a child, and Lex Luthor is trying to take over the world again. At the end of the movie, he figures out that the child is his son. The audience figured this out about midway through when the kid throws a piano at a bad guy, but none of the characters question this.
I didn't like it because of the concept. They turned Superman, America's most noble, upstanding hero, into a deadbeat dad. He knocked up Lois and then went to space. Just try collecting child support from that guy. Just try.
Recently, though, I've been re-watching the old Christopher Reeve movies, and I think I've figured out who to blame for Superman Returns.
I blame Richard Pryor. In spite of the fact that he was dead at the time.
In Superman III, Superman is almost destroyed by Richard Pryor, an Atari game in a cave, a rich man, and a blonde. If you're young, you'll have to take my word for it that it was 1983, and this all seemed to make some sense at the time.
About halfway through the movie, Richard Pryor interrupts Superman trying to score with Lana Lang. He gives Superman a piece of artificial Kryptonite that contains tar, in a godawful attempt at product placement. The Kryptonite doesn't kill Superman, but it changes his attitude. He spends the next few hours straightening the Leaning Tower of Pisa, blowing out the Olympic torch, and developing an alcohol problem. He doesn't turn evil, precisely, he just sort of turns into an asshole for a while.
At the end, Clark Kent defeats Asshole Superman, and then goes to conquer the videogame in the cave. He stops the bad guys, makes friends with Richard Pryor, and prevents doomsday by pouring acid on the floor of a room full of wires.
Again. 1983.
Much later, we get the movie with Deadbeat Dad Superman, which I've always hated. But I like it a little better now that I've figured out who to blame for it.
Here's my fan theory. When Superman was affected by the artificial Kryptonite, it turned him into a jerk for a while, and then he became a noble good guy again. But I suspect that the Kryptonite had long-term effects that nobody ever predicted.
When they cast Brandon Routh and Kevin Spacey, they weren't really casting Superman and Lex. They were casting Christopher Reeve and Gene Hackman. Pretty clearly, they wanted actors who could imitate the originals. They were picking up where the old movies left off, and I have to admit, they did a pretty good job at that. (Aside from Lois Lane. Margot Kidder's hair was so 1970s, there was no point in even trying.)
So they were definitely paying homage to the older Superman movies when they made the new one. I think they did a better job than they realized.
Look at the costumes. In Superman III, as Superman gets to be more of an asshole, his costume turns a darker shade. The blue stays about the same, but the red parts turn a deep burgundy.
Now look at the costume in Superman Returns. Do you see red anyplace? Nope. Dark burgundy.
The costume from Superman Returns almost exactly matches the shade from the bad-ass Superman in Superman III. I've double-checked; I have the action figure.
My theory is that Superman only shook off the short-term effects of the Kryptonite. He went back to being a good guy temporarily, but over a period of a couple years, the asshole-Superman took over again. This explains why he abandoned Lois, who was carrying his child, and flew out of the galaxy for a while.
It actually makes me like the movie a bit better. I can get behind the idea that Superman's behavior was caused by Kryptonite. I like that better than the idea that he was just being a jerk. It makes the whole thing a better movie for me.
I suppose they really did do a nice job of following up the old movies. Because, just like in Superman III, it seems that Richard Pryor did save Superman, after all.
Again....1983. You had to be there.
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